IF/Then Shorts is passionate about building a substantial, aspirational model of multi-platform distribution and monetization that offers filmmakers creative control, creativity, revenue potential, and career development – and an alternative to a traditional all-rights distribution deal. Facing the unique challenges and disruption of conventional distribution models presented by the COVID-19 pandemic, IF/Then identified a real need to support short-form filmmakers with getting their work out to audiences.
The IF/Then Shorts Distribution Initiative consisted of a 14 month distribution mentorship, running from January 2021 and concluding in March 2022. Each film received a grant of $2,000 to be used on any costs arising in the completion and creation of deliverables for the selected films.
12 projects were selected from a pool of IF/Then alumni and internal recommendations by esteemed peers in the short documentary storytelling space. Each project worked with IF/Then staff on developing a distribution plan that includes film festival screenings and the potential for theatrical exhibition, television broadcast, community screenings, airline exhibition, outreach and engagement strategy, curriculum development, and online streaming. Filmmakers retained full copyright over their films, with IF/Then gaining the exclusive right to negotiate distribution on their behalf.
Co-Director & Co-Producer: Rachel Mueller
Co-Director & Co-Producer: Meg Shutzer
Through an investigation of suicides at a juvenile detention center in rural Louisiana, “8 Days At Ware” exposes the facility’s legacy of abuse and what little has been done to protect children there.
Co-Director & Producer: Darcy McKinnon
Co-Director & Editor: Biliana Grozdanova
A FINE GIRL follows Brandi Jarrow, a 27-year old trans woman of color from New Orleans, as she takes the personal and professional success she has achieved as a hairstylist, and works to open an inclusive luxury salon. The film is a joyful, optimistic portrait of what's possible when we include and uplift trans people as essential contributors to our community.
Director: Lydia Cornett
Producer: Britt Fryer
Four distinct women in Central Florida form a bond over crickets, superworms, and roaches on an insect farm in the small town of LaBelle. The farm serves as the background to this character-led documentary focused on community members who’ve come to insect farming with disparate motivations--including economic opportunity, reimagining the future of food, and the love and caretaking of the bugs themselves.
Director, Editor, Cinematographer: Ashley Brandon
Director, Cinematographer: Dennis Hohne
Producer: Nevo Shinaar
In the dead of night, a group of young Mariachis journey across Connecticut conducting a covert operation. The mission: awake the neighborhood with a Mexican tradition unpracticed within the US… and make their mothers cry.
Director & Producer: Michele Stephenson
Producer: Joe Brewster
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. This lyrical portrait follows Elena as she seeks citizenship for herself and her family.
Director: Alex Mallis
Editor: Travis Wood
A fleet of minibuses race up and down Flatbush Avenue, Brooklyn, providing commuters a familiar, if not occasionally harrowing, alternative to the subway for only $2 a ride.
Director: Ash Goh Hua
Following a 40-year, state-sanctioned separation, the reunion and the repair of the relationship between a mother and son serve as a meditation on Black family preservation as an act of resistance.
Director: Jessica Bardsley
Life Without Dreams is set in the outer space of consciousness, where the surfaces of far out planetary bodies form the terrain for an exploration of 24/7 capitalism, insomnia, and the disappearance of darkness due to light pollution.
Director: Cai Thomas
Queenie is a 73 year young Black lesbian that’s called the Marcy Projects home since 1988 but she’s ready to move to a building that better meets her mobility, safety, and social needs as an aging elder. She applies to Stonewall Residences, NYC’s first affordable housing for LGBT elders, hopeful that she’ll be able to live out her final days in a new place she can call home.
Director: Priscilla Gonzalez Sainz
With Immigration law under attack, five first-generation Immigration lawyers strive to help immigrants obtain safety and status in the United States. Through a chronicle of their professional and personal lives, STATUS PENDING aims to present the effects of the current administration through the perspectives of active immigration lawyers in the Los Angeles area.
Co-Director: Andrea Raby
Co-Director: Amber Love
Every Spring, Illinois’ Affordable Assisted Living Coalition holds a Wii Bowling competition for its member homes, and as the reigning champs of Eden Supportive Living take on their old rivals from Bolingbrook it looks like their championship title might not be as safe as they thought. Though the competition is incredibly fierce, the competition has engendered deep friendships among teams. “Strikers” offers us a funny, heartfelt look at gaming into the golden years.
Director: Eloise Sherrid
“The Body is a House of Familiar Rooms” is an experimental documentary collaboration-in-progress between myself, Samuel Geiger, and Lauryn Welch. The film is a window into Sam's experience living with Ehlers-Danlos Syndrome, a painful connective tissue disorder that limits his mobility and functionality.